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Artist.


                   Author.


                 Teacher.



        —A Naples Triple Threat

        by Dave Trecker

                 arco Bronzini is a rarity in the art world. Most
                 performers – and believe me, all art is a performance
        M– excel at one thing. They are musicians or painters
        or writers. They make their bones in one field and one field only.
        That’s how and why they are known.
           Not so Marco Bronzini. He is a renowned painter, with
        canvases in the Paul Mellon Collection, the Morse Museum of
        American Art and many private collections, including those of the
        Astor and Guinness families.
           And he is a published author, with two novels to his credit and
        a marvelous how-to book, “The Ten Commandments of Fine Art.”
           But don’t stop there. Marco is also an accomplished teacher.
        Just ask his many students. His studio at 2950 Tamiami Trail
        North is a meeting place for aspiring painters and many
        experienced ones trying to get better.
           Marco has been in Naples since 1998 when he opened his
        first art school here. He’s been around for a while. So what’s new?
        What raised his profile just now?                             Marco’s Naples studio is a blaze of color, with bold canvases
           The answer is the recent publication of “Vizcaya,” a fictional   that reflect his personality. His work is interspersed with paintings
        rendering of a journey back in time in James Deering’s famous   by his students, now 70 strong and growing.
        Coconut Grove mansion. The book is attracting national attention.   I asked him about his philosophy of teaching art. He said,
        It’s his second, following “The Sun Fisher,” a novel published in   “Each artist has his own identity. I never try to teach them to paint
        2020.                                                      like me. Each has his own style. That must be allowed to grow.”
           For those who don’t know Marco Bronzini, his biography is   He’s proactive in his teaching. I watched him move from easel
        an intriguing one. Born in Provence in the south of France in   to easel, pointing things out, making suggestions, occasionally
        1957, he began art studies at the age of 16 with the sculptor John   adding a brushstroke of his own. And true to his philosophy, every
        Skeaping, then moved to London where he later graduated from   single canvas reflected a different style. The atmosphere was low
        the Royal Academy of Arts. He married, came to the U.S. and   key and positive, and his students all seemed happy to be there.
        obtained his citizenship in 1989.                             Longtime student Addie Castaldo agrees. “Marco is always
                                                                   encouraging. He’s quite remarkable in bringing out your individual
                                                                   talent. He gently suggests, then let’s you make the call.”
                                                                      I asked Marco what his greatest accomplishment was. His
                                                                   answer: “Building up the art school and studio from scratch.”
                                                                      He started with three students. He estimates he’s had some 400
                                                                   over the years, including many in Orlando where he taught before
                                                                   coming to Naples. He goes back to Orlando once a month. “They
                                                                   won’t let me get away,” he said.
                                                                      And Marco continues to paint and write. The passion is
 T
 The Trustees Emeriti of thehe Trustees Emeriti of the             evident, but he said discipline is just as important. When I asked
                                                                   him what his greatest regret was, he said, “Not taking myself
                                                                   seriously as an artist. I wasted many years.”
                                                                      He’s not wasting any more. In addition to adding to his
                                                                   considerable body of paintings, he’s building his writing career and
                                                                   is now 130,000 words into his third novel.
                                                                      And, of course, he’s continuing to shape the skills of his many
                                                                   grateful students.
                                                                      A triple threat indeed.

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